• At CPT we are committed to ensuring the best possible experience for all artists, audience members and other visitors to our space. We welcome customers and artists with disabilities and are pleased to assist you in your visit. 

    If you have any questions or enquiries, please do get in touch by phone at 020 7419 4841 or email at [email protected].

  • Amina Aaliya Beg

    Image:

    Amina Aaliya Beg is a writer/performer/DJ (aka aminabonthebeat) and co-founder of ajeeb studios platforming what society perceives as strange. Amina has been touring her one woman show ‘My Mum Told Me Not To Marry An Atheist’ on her UK Tour. She made her debut in London at Camden People’s Theatre and has developed work at Play, Pie & Pint ‘West (Cow)lder’ (2026), ‘The Perfect Girl’ (2025) at The Studio Theatre, ‘Hope New Mill’ at Leicester Curve Theatre (2024) and has been part of the BFI Film Hub North Writers Programme. Amina aims to use her platform in the arts to change the social and political discourse framed around representation for Muslims using comedy, joy and theatre to bring liberation into our communities.

    Amina Aaliya Beg CPT shows

    WORK IN PROGRESS
    Open Floor at Studio Theatre by Andrew Perry
    Amina Aaliya Beg presents

    My Mum Told Me Not To Marry An Atheist (WIP)

    Thurs 19 and Tues 24th Mar at 9pm
    My Mum Told Me Not To Marry An Atheist is a play / DJ set exploring DADI and her granddaughter KAMAL’s relationship about love, marriage & being intergenerational trouble-makers.
    WORK IN PROGRESS
    James Baker

    Deen over Dunya (WIP)

    Tues 20 Oct at 9pm
    'Deen Over Dunya' is a musical exploring the commercialisation of Islam and environmentalism from an Islamic point of view.

    Blog Posts by Amina Aaliya Beg

    My Mum Told Me Not To Marry An Atheist
    Posted: 03-03-2026 Tag: artist blogs

    How Can Comedy Dismantle Assumptions?

    People assume, based on my clickbait title My Mum Told Me Not To Marry An Atheist, that I am normalising atheist relationships. When in reality, they are the joke of the show


    "Hats off to the CPT for this fine show, well researched and coming from a place of great passion... Comm­unity theatre at its most effective."

    Camden New Journal (Human Jam)