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    Popsie Theatre presents

    Not a Girl Not Yet a Woman

    Fri 16 Dec - Sat 17 Dec at 9pm
    Tickets £12 (£10)
    ARCHIVE
    You’re invited to enter a liminal space between girlhood and womanhood, and watch as we tear apart Britney’s conservatorship, victim-blaming and female autonomy - all while drunk on early-2000s MTV nostalgia.



    Content Notice
    Running Time 55 mins
    Wheelchair Accessible
    Wheelchair Accessible
    Assistance dogs welcome
    Assistance dogs welcome
    Content Notice
    Content NoticeWe reference some troubling elements of Britney Spears' conservatorship, and allude generally to feelings of depression and loneliness.
    Health Notice
    Health NoticeFlashing lights, Perfume is used heavily on-stage though not sprayed in the direction of audience members.

    “I'm not a girl, not yet a woman. All I need is time, a moment that is mine, while I'm in between.”


    Remember that Britney-themed sleepover you had in 2002? Welcome back to your mum’s basement, sort of… Come over, put on your pjs, try your best to sing karaoke without waking your dad. But wait, you’re not a girl anymore, are you? Are you a woman? Something in-between? None of the above?
    In ‘Not a Girl Not Yet a Woman’, two confused performers in their late-twenties submerge themselves in Britney’s story to interrogate their own adultness. Expect fun noughties nostalgia as they take you through a coming-of-age, Britney-themed sleepover. Dabbling in dance, live music, other-people’s-poetry, comedy, and game structures, they unpack what we can learn from the Princess of Pop (while trying not to have an existential crisis). It’s messy, it’s a 13-year-old’s sleepover nightmare, and it’s about control.

    "Not A Girl, Not Yet A Woman' was an equally provocative and delightfully silly performance that will resonate perfectly with its target audience, which I can only assume is gay neurodivergent nostalgia whores."
    It's not cute! (blog)

    "CPT is as a beacon of fringe goodness, a theatre that champions diversity, inclusivity and the best kind of weird uniqueness"

    LondonTheatre1