The Belgian theatre-performance-group Ontroerend Goed (a punning name, roughly translated as “Feel Estate”) produces self-devised work grounded in the here and now, inviting their audiences to participate as well as observe. Whether they are performing backwards, turning spectators into voters who eliminate actors, guiding strangers through a labyrinth of mirrors and avatars to meet themselves, or placing the audience at the controls of the financial system, the company has made it its trademark to be unpredictable in content and form.
