• At CPT we are committed to ensuring the best possible experience for all artists, audience members and other visitors to our space. We welcome customers and artists with disabilities and are pleased to assist you in your visit. 

    If you have any questions or enquiries, please do get in touch by phone at 020 7419 4841 or email at foh@cptheatre.co.uk.

  • Donna Oblongata presents

    The Van Gogh Shogh

    Wed 8 and Thurs 9 April at 9pm
    Tickets £12 - £18 (+ booking fee)
    ARCHIVE
    Welcome to the true
    Content Notice
    Running Time 75 minutes
    Wheelchair Accessible
    Wheelchair Accessible
    Assistance dogs welcome
    Assistance dogs welcome
    Content Notice
    Content NoticeVan Gogh. In other words: mental illness, suicide, poverty. (12+)
    Health Notice
    Health NoticeFood/Drinks given to Audience Members, Alcohol consumed by performers onstage, alcohol given to audience members

    What happens when Vincent stumbles into The Van Gogh Immersive Experience? At the very least, a few audience members might be given the chance to paint Starry Night under the tutelage of the master himself. What follows is a kaleidoscopic journey through Van Gogh's legacy that asks urgent questions about the nature of art, success, reproduction, and 1980s power ballads. 

    From award-winning performer Donna Oblongata, The Van Gogh Shogh recently sold out a run at The Brick Theater in New York and dates across the US, including The Elysian Theater in Los Angeles.

     

    "Extremely funny... inspired lunacy."
    Talkin’ Broadway
    "Wild and raucous... top notch clowning and a very enjoyable night at the theater."
    Plays Unpleasant
    "This lo-fi theatre brings a visceral excitement I don’t often see in live performance. "
    Cornelia Magazine
    "A visionary with a knack for creating experiences that transcend the norm"
    Geekadelphia [previous praise]
    "Endlessly impressive"
    Baltimore City Paper [previous praise]

    “Such a crucial part of the UK theatre ecology… Developing artists and audiences”

    The Guardian