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  • April Small presents

    Bloody Medea!!

    Wed 27 - Thu 28 Sep at 9pm
    Tickets £8 - £12
    ARCHIVE
    Comedian, dancer, singer, rebel. April Small clowns around with 5,000 years’ worth of the tragic feminine in this truly original tour-de-force of physical comedy.
    Content Notice
    Running Time 55 mins
    Wheelchair Accessible
    Wheelchair Accessible
    Assistance dogs welcome
    Assistance dogs welcome
    Content Notice
    Content NoticeFake Blood

    The OG femme fatale, Euripedes' sorceress-seducer, Jason's golden goose: Medea was the goddess who could have had it all. But, much like dancer, actress and Gaulier-trained clown April Small, things haven't quite worked out in her favour.

    A heartfelt and humane swansong to a career that never started, join (famously blood-phobic) April as she tackles the injustices faced by women throughout history - including her own. Expect a journey from the highest peaks of foolery to the deepest depths of tragedy, via two years of development, Zoom meetings and a whole lot of home-made prop crafting.

    Passionately performed for all those who have been shut up, shut down or shut out, Bloody Medea!! is a tour-de-force physical comedy for anyone who refuses to go down without a fight... or at least a laugh.

    Supported using public funding by the National Lottery through Arts Council England

    "April is a wonderfully wild, and wickedly funny performer. Bloody Medea is an opportunity to dive into her imagination and experience Greek tragedy through the lens of a clown."
    Audience member - Brighton Fringe 2023
    "April’s expressive and intelligent performance is delivered with nuance and skill. A bold, highly unique and fantastically funny show. Bloody Medea is an absolute blast. My partner rarely finds anything funny and I more or less had to drag her up from the"
    Audience Member, Tom Thumb Theatre, Margate
    "I work with April. Fantastic"
    Philippe Gaulier

    “Such a crucial part of the UK theatre ecology… Developing artists and audiences”

    The Guardian