• At CPT we are committed to ensuring the best possible experience for all artists, audience members and other visitors to our space. We welcome customers and artists with disabilities and are pleased to assist you in your visit. 

    If you have any questions or enquiries, please do get in touch by phone at 020 7419 4841 or email at foh@cptheatre.co.uk.

  • Invite us

    Image: Tom Kennedy (Life is No Laughing Matter by Demi Nandhra)

    If you’d like to invite Camden People’s Theatre to see your work – with a view to developing a relationship with us, or having your project programmed here – drop us a line!

    Before you do so, please consider whether your work is in line with what we at CPT exist to support. We’re here to champion the work of early-career artists in the field of innovative independent theatre – particularly those making work of social, cultural or political pertinence. We work with artists who make theatre and performance in new ways. Please note, we’re not a new writing venue and seldom develop or stage scripted plays. We’re also not a venue for pure dance, although we do sometimes programme theatre with a dance element. For more detailed information, check out our Programming page below.

    If your work fits this bill, we’d love to hear from you. Simply fill in the form linked here and let us know what you’re doing and where, and we’ll do our best to come along.

    "CPT is as a beacon of fringe goodness, a theatre that champions diversity, inclusivity and the best kind of weird uniqueness" - LondonTheatre1

    A Starting Blocks performer in the CPT basement space with a microphone watched by a group of people standing

    Programming

    We support emerging artists to make inventive theatre - particularly about issues that matter to people right now. 

    Camden People's Theatre building pictured from the outside with teal walls and big windows.

    Get In Touch

    Looking to get in touch with CPT? Find our contact details here!

     

    “British theatre would be completely stymied without tiny, under-resourced venues such as CPT, which are a critical part of the theatre ecology.”

    Lyn Gardner Stagedoor