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An immersive binaural audio piece following a day in the life of a pigeon in the Arabian Gulf, tracking its ordinary rhythms and routines, until the world it inhabits begins to unmistakably change...
A huge thank you and “couldn’t have done this without you” to Kelsey James. Forever grateful to have collaborated with an amazing creative such as yourself.
Also, a huge thanks to our production manager, Paul.
Special thanks to Melanie Wilson, Maike Lauber, Abdul Mumin, Nadeen (@nadz.designss), my teachers at Central, T&P, my family in Kuwait, and all the pigeons we take for granted.
Tobi King Bakare and this theatre deserve a shout-out for such a young, diverse audience. There is so much talk about audiences being full of over 60s and why, why can’t theatres get the crowds in to reflect society in general? Well, I’m happy to say that on a rainy Thursday evening, the theatre was completely full.
Caiti Grove on Before I Go in CPT's Spring 2023 season London Theatre Reviews