Get 25% off when you book more than one show across our Autumn Season (September - December 2024).
Don't fill yourself up on a whole play, just have some nibbly bits. Theatre Tapas is back with an exciting line up of brand new work!
Meg Hodgson - Book of Revelations
Meg Hodgson is an experimental performer, clown and movement artist based in London. Exploration of the serious business of science, queerness and grief
through exuberant mediums is the foundation of Meg’s artistic practice, with current shows-in-progress exploring the imminent corporate mining of the Moon and historic, non-binary jester narratives.
Meg is currently thinking about power structures, ritual and monsters, and so is naturally diving into their own Catholic upbringing to investigate some biblically accurate angels.
Charlotte Anne Tilley - AND THEN SHE DIED:
Charlotte Anne Tilley, is a writer-performer with two WATERSTONES published plays: ALMOST ADULT, and OH, CALM DOWN. Charlotte's work has been featured in THE TIMES and PLAYBILL. Work in progress, AND THEN SHE DIED is dark comedy about a dysfunctional family's failed attempts to deal with the loss of their mother.
Track 96 - The Oracle:
Track 96 presents The Oracle, a fully improvised glimpse into the future life of one lucky audience member. Featuring fully freestyled hip hop musical numbers, based on prompts and stories from the audience, Track 96 will transform the audience’s own experiences and stories into a one-of-a-kind performance, never to be experienced again.
Track 96 freestyle on the spot and, as improvisers, invent a story/scene that audiences can connect with, all accompanied by a live beatboxer and DJ.
Tobi King Bakare and this theatre deserve a shout-out for such a young, diverse audience. There is so much talk about audiences being full of over 60s and why, why can’t theatres get the crowds in to reflect society in general? Well, I’m happy to say that on a rainy Thursday evening, the theatre was completely full.
Caiti Grove on Before I Go in CPT's Spring 2023 season London Theatre Reviews
