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    Sluts with Consoles

    Sat 3 Jun at 7.15pm
    Tickets £8 - £12
    ARCHIVE
    Gamer girls: do they really exist? why do they want attention so badly? do you want to drink our bath water? no, really, that's a serious question.



    Content Notice
    Running Time 55 minutes
    Wheelchair Accessible
    Wheelchair Accessible
    Assistance dogs welcome
    Assistance dogs welcome
    Content Notice
    Content NoticeDiscussion of rape culture and gendered violence within the gaming industry, reference to one incident of suicide, depiction of warfare in a video game setting. Suitable for 16+

    Is that a joy-con in your pocket, or are you pleased to see us? Armed with plasmids, meelee weapons, and enough energy drinks to kill a small dog, Player One and Player Two are on a mission to uncover the truth about women in the gaming industry. 

    Inspired by real testimonies from women working within the gaming industry, Sluts With Consoles is an anarchic, high energy, dark comedy created to heal the edgy teenage 'not-like-other-girls' girl inside us all.

    When your world is falling apart and nothing makes sense, who wouldn't want to retreat into a fantasy world where you're the hero? Part love-letter to the games we grew up with, and part coming of age temper tantrum, Sluts With Consoles is an exploration of girlhood, escapism, and the need for control amid chaos... however, with gamergate, gatekeeping and growing up to contend with, maybe being in control isn't as much fun as it's cracked up to be...

    This is a show about video games, the women who love them, and the community we wish would love us back.

    Supported by South Street Arts Centre.

    "Flynn and Robb are vibrant, energetic performers"
    Theatre Weekly
    "The show handles the seriousness of the subject matter with the same committment it brings to the comedic moments, without dropping the energy at all"
    Emily Beech Reviews
    "Edinburgh Untapped Award Nominee"
    New Diorama Theatre & Underbelly

    “British theatre would be completely stymied without tiny, under-resourced venues such as CPT, which are a critical part of the theatre ecology.”

    Lyn Gardner Stagedoor