Get 25% off when you book more than one show across the CPT programme. Why not come and see our other Starting Blocks artists on Sun 24 March?
Ugly Sisters by piss / CARNATION
"Germaine! Germaine! Germaine! Germaine! Germaine! Remember me! Remember me!" On the day The Female Eunuch was published in America, a transgender woman in flapping draperies rushes up to Germaine Greer and says: thank you, thank you so much for all you’ve done for us girls. Ugly Sisters (Camden People’s Theatre edition) is an operatic, pyrotechnic, psychotic and hallucinatory retelling of this very moment, of sisterhood, of all feminist history.
Content & health warnings: Intense transphobia, TERF language and imagery, death, funeral, audience participation, live flames, Smoke / Fog / Haze, Visual Effects (glitter curtains etc.)
Saria Callas by Sara Amini
A piece about wanting to be a singer, and growing up where it is forbidden for women to sing. 'Did I get used to repression or is music my way of fighting?'
Saria stands at a crossroads with her child. Is she ready to overcome this new change as we live in a world where others still decide about our body and voice?
Content & health warnings: Strong Language, partial nudity. Food / Drink consumed by performers.
Credits: Sara Amini (She/Her) - Performer & Creator Manuel Lavandera (He/Him) - Co-Director, Robin Paley Yorke (He/Him) - Associate Director, Elahe Esmaili (She/Her) - Video Director
plewds by Kathrine Payne
A cocky gay clown. A clueless detective. An X Factor sob story. Genre-and-gender-bending buffoonery set against a rainbow coloured backdrop.
A surreal, fast-paced and darkly funny exploration of a queer relationship gone bad. Blending clowning, drag and a subversive take on the trauma-parading solo show, plewds is about the lengths we’ll go to avoid what’s right in front of us, in a story where the villains don’t look like villains.
Being queer is the best, right?
Content & health warnings: Contains themes of domestic and sexual violence, audience interaction, queerphobia, strong language
Credits: Performer/writer - Kathrine Payne, Director - Jess Haygarth, Dramaturg - Frankie Thompson, Sound - Livvy Lynch, Movement - wet mess.
"Welcoming, inclusive, creative and life-affirming. I have learnt a lot myself in so many ways that will seep into all parts of my life. My self-confidence has massively increased"
Human Jam participant
