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  • One Way Mirror

    Fri 29 - Sat 30 Sep at 9pm
    Tickets £8 - £12
    ARCHIVE
    Is people-watching your guilty pleasure? Come and join the ritual as we recreate the true story of a man living with a one way mirror in his living room.

    Get 25% off when you book 2 or more Autumn shows in one go! Browse our listings to find shows with similar themes (or shows on the same night).

    One Way Mirror is an interactive story about the art of people watching, built for extroverts, introverts and everyone in-between. The audience decides the outcome of the show. No two shows are the same. Do you ever get the feeling you’re being watched? Is people watching your guilty pleasure? If either of the above rings true, this show is for you.

    "An urban odyssey splashed with the supernatural" ★★★★ (Fringe Biscuit)
    "Excellent storytelling" ★★★★ (Theatre and Tonic)
    "He's so at ease on stage that it becomes almost contagious" (North WestEnd)

    Come and join the ritual as we recreate the true story of a man living with a one way mirror in his living room.

    Made with support from Elevate East, Theatre Royal Stratford East and Interactive Soup. With thanks to The Pleasance and Camden People Theatre.

    Content Notice
    Running Time 60 mins
    Wheelchair Accessible
    Wheelchair Accessible
    Assistance dogs welcome
    Assistance dogs welcome
    Content Notice
    Content NoticeAge guidance: 16+
    Health Notice
    Health NoticeVisual Effects (glitter curtains etc)
    "An urban odyssey splashed with the supernatural"
    Fringe Biscuit
    "Excellent storytelling"
    Theatre and Tonic
    "He's so at ease on stage that it becomes almost contagious"
    North West End
    "Jonathan Oldfield has an impressive stage presence, commanding attention and working the crowd splendidly"
    Lost in Theatreland (on previous work)
    "[Oldfield] left me snorting with laughter"
    BroadwayWorld (on previous work)

    “British theatre would be completely stymied without tiny, under-resourced venues such as CPT, which are a critical part of the theatre ecology.”

    Lyn Gardner Stagedoor