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  • Martin Moriarty presents

    No Beauty, Just The Beast

    Sat 17th May at 3pm
    Tickets £10 (+ booking fee)
    Once upon a time in a faraway land called the 1990s, a young gay man transformed into a hideous Beast must find a way to escape his enchantment.

    Once upon a time in a faraway land called the 1990s, there lived a young gay man who had been transformed into a hideous Beast by a powerful spell.
    Locked away in his hideaway with only an extremely talkative Magic Mirror for company, he is forced to confront the record of his relationship dramas in a quest for clues that might help break the enchantment.
    And thus begins a journey of self-discovery that summons up boyfriends and breakups, some of London’s lost queer spaces from the era, and the house sounds that defined a decade. 
    This autobiographical show combines a queer re-telling of Beauty and the Beast with a revisionist take on the 1990s to create a kind of solo panto that invites a whole new level of audience participation. 
    No Beauty, Just The Beast is the latest work by writer-performer Martin Moriarty (Virginia Woolf’s Dog Training Academy, CPT, 2024) and director Sean Ting-Hsuan Wang (NO I.D., Vaults Festival / Royal Court Upstairs, 2023).

    Content Notice
    Running Time 45 minutes
    Wheelchair Accessible
    Wheelchair Accessible
    Assistance dogs welcome
    Assistance dogs welcome
    Content Notice
    Content NoticeContains references to 1990s homophobic violence and murder. The show includes a series of references to the murders of gay men in 1990 and 1993 and the bombing of the Admiral Duncan pub in 1999. These references are made in telephone messages left by a fictional character to real-life events.
    "“Bold and deep and funny and just made me have all the feels” "
    audience feedback on Virginia Woolf’s Dog Training Academy (CPT, January 2024)

    Tickets for No Beauty, Just The Beast

    Sat 17 May, 15:00

    "Hats off to the CPT for this fine show, well researched and coming from a place of great passion... Comm­unity theatre at its most effective."

    Camden New Journal (Human Jam)