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    Sweet Beef presents

    I Hate it Here

    Fri 11 Mar at 7.15pm
    Tickets £12 (£10)
    ARCHIVE
    A game show. A nurse. A chicken shop. Dolly Parton. A golden umbrella. Making it rain. Quite a lot of hopping. Some bingo. Zero hours contracts. You better work bitch.



    Content Notice
    Running Time 60 minutes
    Content Notice
    Content NoticeThe company do not believe there is any content to consider, please email foh@cptheatre.co.uk if you have any specific concerns
    Health Notice
    Health NoticeFlashing lights, smoke, haze, loud noise, food

    A game show. A nurse. A chicken shop. Dolly Parton. A golden umbrella. Making it rain. Quite a lot of hopping. Some bingo. Zero hours contracts. You better work bitch.

    I Hate it Here is an interactive devised piece about zero hours contracts and instability. It centres on Plang, an elderly care worker who loves a boogie, Tara, a nurse with a penchant for Anne Robinson, and Spud, a teenage fast-food worker who would just love a date with fit Clare. Join them for their shift, but expect some interruptions from the BIG BOSS.

    You will be asked to participate in game shows, sign up for shifts and have the power to change the outcome of the show.

    There’ll be bingo, banging tunes and a glittery curtain. All of this could be yours if you just sign here _______________________.

    I Hate it Here accompanying sound peice, by Hattie North. 

    Put your headphones on. 

    Yawn and stretch and try to come to life.

    Close your eyes for the full effect. 

    What are you waiting for, put your back in it. 

    Work. 

    Supported by Arts Council England 

    "It’s a gorgeous achievement you’ll want to watch repeatedly."
    The Guardian
    "Hilarious…Laughs at every turn"
    The Sunday Times
    "Quick-fire, zinger-filled scripting"
    The scotsman
    "Hugely funny and desperately poignant"
    The Stage
    "A force to be reckoned with"
    The List
    "Forget comedy gold, this treasure is priceless."
    A Younger Theatre

    “Such a crucial part of the UK theatre ecology… Developing artists and audiences”

    The Guardian