• At CPT we are committed to ensuring the best possible experience for all artists, audience members and other visitors to our space. We welcome customers and artists with disabilities and are pleased to assist you in your visit. 

    If you have any questions or enquiries, please do get in touch by phone at 020 7419 4841 or email at foh@cptheatre.co.uk.

  • How to Create a Life [Starting Blocks 26]

    Sun 29 March at 4pm
    Tickets £10 (+ booking fee)
    No womb at the inn? Starting Blocks 2026 gives birth to How to Create a Life: a newborn verbatim show with a big heart, asking the big questions.

    This show is a work-in-progress performance as part of our Starting Blocks showcase.

    After learning there may be ‘no womb at the inn’, Francesca navigates the sober world of fertility treatment as a single, 30-something who wonders where she’d even put a baby if she had one, or if anyone would go out with her now. Knowing she’s not mysterious enough to shut up about it, she starts to talk to people, and to her surprise, people start to talk back. 

    Warm, irreverent, and occasionally unhinged, How to Create a Life, is an honest, verbatim work-in-progress that asks the big questions in life. Featuring real interviews with people from all walks of life, the show navigates themes of fertility, expectation, grief, and uncertainty, while acknowledging the possibility that maybe creating a life starts with the one you’re already living.

    Francesca D'Souza is excited to be bringing her newborn, piece to Camden People's Theatre Starting Blocks this March with support from Hope Wishart.

    Content Notice
    Running Time 50 minutes
    Wheelchair Accessible
    Wheelchair Accessible
    Assistance dogs welcome
    Assistance dogs welcome
    Content Notice
    Content NoticeMental health, themes of infertility (18+)

    Tickets for How to Create a Life [Starting Blocks 26]

    Sun 29 Mar, 16:00

    "Hats off to the CPT for this fine show, well researched and coming from a place of great passion... Comm­unity theatre at its most effective."

    Camden New Journal (Human Jam)