• At CPT we are committed to ensuring the best possible experience for all artists, audience members and other visitors to our space. We welcome customers and artists with disabilities and are pleased to assist you in your visit. 

    If you have any questions or enquiries, please do get in touch by phone at 020 7419 4841 or email at foh@cptheatre.co.uk.

  • Reviewers Social (Thu 24 Oct)

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    It's tough out there in the world of reviewing and writing about theatre - and we appreciate what you do - so why not join us to hang out and get to know other reviewers?

    What?

    An informal event for reviewers of theatre and performance - and similar bloggers, vloggers, and writers - to get to know one another.

    Whether or not you attended past socials, whether you're an emerging critic with no experience yet or an "old hand", whether you've been to Camden People's Theatre before or never heard of us: You're invited.

    Your first drink is on us!

    Where?

    In the foyer of Camden People's Theatre, 58-60 Hampstead Road, NW1 2PY. Please click here to find out about accessibility in the venue.

    When?

    Thurs 24th Oct, 6pm. This Reviewers Social with coincide with the press night for Why A Black Woman Will Never Be Prime Minister (7pm). You're invited to review the show and continue the social afterwards! Our bar will be open until at least 10pm. You're also welcome to attend the social without coming to see the show.

    If you'd like to attend the social, please fill in this form by Tues 22nd Oct.

    If you'd like to review the show, please email Lorn Elvin (Lorn@mobiusindustries.com) who is managing press for Why A Black Woman.

    Questions?

    If you have any questions about the social, please don't hesitate to contact Kathryn Singleton (CPT's Marketing Manager) at press@cptheatre.co.uk. If you have any press-related queries about Why A Black Woman Will Never Be Prime Minister, please contact Lorn Elvin (Mobius PR) at Lorn@mobiusindustries.com.

    "It is precisely these types of projects, involving these types of people, in these types of theatres that make London what it is."

    The Lancet