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  • Georgina Lance

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    Georgina is a young circus and dance artist based in the UK. She performs as a movement artist trained as a contemporary dancer, fire performer, pole dancer, aerialist, stilt walker, and flexibility coach having completed her training at the centre for advanced training and Phoenix youth academy. She then went on to perform as a company dancer for Capua gate company directed by Martin Hylton and successfully auditioned for National Centre for Circus Arts where she is currently studying for her circus degree. In the summer of 2021, she received several commissions including a commission in collaboration with Northern stage to create a circus performance piece exploring how movement can be used as a medium for self-care for black woman throughout the online circulation of black trauma and police brutality. She was also selected by pink art gallery to represent one of the five UK artists creating pieces in response to the increase in femicide rates over the last 5 year where she performed a pole dance piece inspired by her testimony of the potential for pole dance to help sexual abuse survivors reclaim agency over their expression and autonomy. She is extremely passionate about using circus and dance as platforms to highlight erased narratives and centralise marginalised experiences. She has directed several dance and circus pieces including choreographing and performing for VAMOS festival, The Whose Heritage Symposium, Maya Angelou Centres 25th Anniversary, Harambe Pasadia, and Camden Theatre. She has also performed as a specialist circus at a range of venues including Restaurant Ours, Cirque Le Soir, Curiosity Ball, and Soho Houses.
    She also currently teaches a range of flexibility and pole classes alongside company dancing for the Ella Mesma company.

    Georgina Lance CPT shows

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    Blog Posts by Georgina Lance

    Posted: 13-05-2022 Tag: news

    Meet our Seed Commission Artists 2022

    CPT announces Seed Commissioned Artists for 2022


    "It is precisely these types of projects, involving these types of people, in these types of theatres that make London what it is."

    The Lancet