Anahi and Jemima are interested in creatively reflecting on their felt experience of power structures as women, migrants, cultural workers + ambiguously young people. They gravitate towards creating work that involves the act of making the covert, explicit. They like to laugh when they do this.
Tobi King Bakare and this theatre deserve a shout-out for such a young, diverse audience. There is so much talk about audiences being full of over 60s and why, why can’t theatres get the crowds in to reflect society in general? Well, I’m happy to say that on a rainy Thursday evening, the theatre was completely full.
Caiti Grove on Before I Go in CPT's Spring 2023 season London Theatre Reviews
