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  • Starting Blocks Showcase

    Sat 23 Mar at 7pm
    Tickets £8 - £12 (+ booking fee)
    ARCHIVE
    An evening of new work by theatremakers on CPT's flagship artist support programme. Saturday's showcase offers a sneak preview of projects by piss/CARNATION, Sara Amini, and Kathrine Payne.
    Content Notice
    Running Time 2 hours
    Wheelchair Accessible
    Wheelchair Accessible
    Assistance dogs welcome
    Assistance dogs welcome

    Ugly Sisters by piss / CARNATION

    "Germaine! Germaine! Germaine! Germaine! Germaine! Remember me! Remember me!" On the day The Female Eunuch was published in America, a transgender woman in flapping draperies rushes up to Germaine Greer and says: thank you, thank you so much for all you’ve done for us girls. Ugly Sisters (Camden People’s Theatre edition) is an operatic, pyrotechnic, psychotic and hallucinatory retelling of this very moment, of sisterhood, of all feminist history.

    Content & health warnings: Intense transphobia, TERF language and imagery, death, funeral, audience participation, live flames, Smoke / Fog / Haze, Visual Effects (glitter curtains etc.)

    Saria Callas by Sara Amini

    A piece about wanting to be a singer, and growing up where it is forbidden for women to sing. 'Did I get used to repression or is music my way of fighting?'

    Saria stands at a crossroads with her child. Is she ready to overcome this new change as we live in a world where others still decide about our body and voice?

    Content & health warnings: Strong Language, partial nudity. Food / Drink consumed by performers.

    Credits: Sara Amini (She/Her) - Performer & Creator Manuel Lavandera (He/Him) - Co-Director, Robin Paley Yorke (He/Him) - Associate Director, Elahe Esmaili (She/Her) - Video Director

    plewds by Kathrine Payne

    A cocky gay clown. A clueless detective. An X Factor sob story. Genre-and-gender-bending buffoonery set against a rainbow coloured backdrop.

    A surreal, fast-paced and darkly funny exploration of a queer relationship gone bad. Blending clowning, drag and a subversive take on the trauma-parading solo show, plewds is about the lengths we’ll go to avoid what’s right in front of us, in a story where the villains don’t look like villains.

    Being queer is the best, right?

    Content & health warnings: Contains themes of domestic and sexual violence, audience interaction, queerphobia, strong language

    Credits: Performer/writer - Kathrine Payne, Director - Jess Haygarth, Dramaturg - Frankie Thompson, Sound - Livvy Lynch, Movement - wet mess.

    “It means so much to be working at CPT, it’s such a good opportunity to work in a professional environment at my age. I didn’t think that was ever going to happen and it means the world to me. It’s really going to help prepare me for my future and where I want to go”

    CYT participant and Camden student