• At CPT we are committed to ensuring the best possible experience for all artists, audience members and other visitors to our space. We welcome customers and artists with disabilities and are pleased to assist you in your visit. 

    If you have any questions or enquiries, please do get in touch by phone at 020 7419 4841 or email at foh@cptheatre.co.uk.

  • View Cart icon
  • Jo Ingabire Moys presents

    I am Leah

    Tues 8 - Sat 12 Oct at 7.15pm
    Tickets £8 - £15 (+ booking fee)
    ARCHIVE
    Fictional narrative and dark humour meet real-life testimony in a new play by: Jessica Hagan (Writer of hit sell-out QUEENS OF SHEBA) & Jo Ingabire Moys (Screenwriter of BAFTA-nominated BAZIGAGA).
    Content Notice
    Running Time 60 mins
    Wheelchair Accessible
    Wheelchair Accessible
    Assistance dogs welcome
    Assistance dogs welcome
    Content Notice
    Content NoticeThemes of rape and graphic violence.

    Leah is a strong, independent black woman. At least that’s the role she has been playing. But when she learns that she has to travel to Rwanda, the country of her birth which she left as a refugee, to receive a prestige award, her world implodes. 

    I Am Leah is inspired by '100 Days, 100 Stories' -  a powerful testimony of the genocide against the Tutsi in Rwanda and a tool for genocide education. The play brings these succinct moments of Rwandans' lived experiences from page to stage, combining fictional narrative and real-life testimonies. An unflinching look at intergenerational trauma and the constant redefinition of self and home.

    The four-strong cast features Nahel Tzegai (The Jungle, Young Vic), Michelle Asante (Top Boy, Netflix), Sara Mokonen (The Jungle, Young Vic) and Alex Akindeji (The Streets, Hackney Empire).

    Marking the 30th anniversary of the Rwandan genocide, the play explores what it means to be a survivor, immigrant and British in a charged political climate against the backdrop of a universal mother-daughter story. With a deft touch of dark humor - a hallmark of Rwandan resilience - I Am Leah delves into the aftermath of displacement and educates as it captivates.

    Post-Show Q&A | Thu 10 Oct

    Audiences on Thursday 10th are invited after the show to join a Q&A with:

    Jo Ingabire Moys: Rwandan-British writer/director whose short film, Bazigaga, was nominated for a BAFTA in 2023. Currently in development with the BFI on her feature film, she co-wrote I Am Leah after nearly 10 years of writing and editing stories that will be released this autumn in Huza Press: 100 Days, 100 Stories: Rwandan voices on the genocide against the Tutsi.

    Dr Zoë Norridge: Reader in African and Comparative Literature and Visual Cultures, King’s College London. She researches contemporary arts in Rwanda and cultural responses to the 1994 genocide against the Tutsi. Her work often involves collaborations with artists and survivors and she has convened numerous workshops, events and exhibitions in Rwanda and the UK. Her translation of Yolande Mukagasana’s survivor testimony Not My Time to Die was published by Huza Press in 2019. She has also made two BBC radio documentaries: Rwanda’s Returnees and Living with Memory in Rwanda. She is former Chair of the Ishami Foundation, an Associate Editor at Wasafiri magazine, and a member of the UK Holocaust Memorial Day Trust’s Expert Reference Group.

    Credits

    • Lighting Design: Amy Daniels 
    • Sound Design: Jassen Summogum
    • Set, Props & Costume Design: Danni Ebanks Ingram 
    • Stage Manager: Elaine Chiang 
    • Technicians: Juliann Pichelski and Chuck 
    • HMUA: Lydia Ariyo 
    • Director/Co-Writer: Jo Ingabire Moys
    • Co-Writer: Jessica Hagan
    • Producer: Laila Sumpton 

    100 Days, 100 Stories: Rwandan Voices on the 1994 Genocide Against the Tutsi, published by Huza Press, will be released in the UK on the 10th of October. 

    Many thanks to the creatives with lived experience of war who helped shape this show with their feedback: Momtaza Mehri, Tasia Graham, Nick Makoha, Majid Adin.

    "Companies like us genuinely would not be making theatre if it was not for the ability of CPT and its team to identify artists who are worth taking a chance on."

    Sh!t Theatre