Collateral Damage is a devised performance by The Dissent Ensemble that stems from a research project at the University of Northampton that considered the efficacy of collaborative devising methods within socially-engaged and interventional theatre.
The performance is focussed in particular upon the ubiquitous and ever burgeoning prejudicial narratives surrounding refugees and more broadly othered communities. It sheds light on the underlying beliefs, stereotypes, and biases that contribute to discriminatory attitudes which contribute to the creation of hostile environments for refugees and othered communities.
Set in a fictional public meeting, the narrative unfolds as locals protest the construction of a refugee hotel.
The immersive experience blurs the line between audience and performers, as actors engage both on stage and within the audience, making the themes of exclusion and prejudice feel immediate and personal.
Tobi King Bakare and this theatre deserve a shout-out for such a young, diverse audience. There is so much talk about audiences being full of over 60s and why, why can’t theatres get the crowds in to reflect society in general? Well, I’m happy to say that on a rainy Thursday evening, the theatre was completely full.
Caiti Grove on Before I Go in CPT's Spring 2023 season London Theatre Reviews
