In 2018, feeling burnt-out and untethered from her sense of self, Farha cycled 15,000km from Mile End to Benin, taking the road to rediscover the ancestral knowledge within, finding belonging and liberation in nature. In this work-in-progress, Farha invites you to share a cup of chaa and a story, to become part of her journey.
Please note:
This piece explores the performer’s personal experiences of their family migration, intergenerational trauma and racism. As a new performer who is exploring how to share personal stories in a way that feels safer and non-exploitative, on this occasion, we are presenting Cycles for audiences who identify as Black people, People of Colour and People of the Global Majority*. We especially welcome people from these communities who have lived experiences of migration.
We recognise that identities and experiences are complex and never sit truly in binaries and definitions. We are choosing not to impose further harm on racialised communities and to trust people when purchasing a ticket. No-one will be turned away on the night. If you would like further information or have any questions, you are welcome to reach out to foh@cptheatre.co.uk
The performance will be followed by a post-show discussion with the writer.
* “Global Majority is a collective term that first and foremost speaks to and encourages those so-called to think of themselves as belonging to the global majority. It refers to people who are Black, Asian, Brown, dual-heritage, indigenous to the global south, and or/have been racialised as 'ethnic minorities'.” 'Global Majority; Decolonising the language and Reframing the Conversation about Race' by Rosemary Campbell-Stephens MBE, 2020
Credits:
Shavena Vigneswara Kumar, Composer and Musician
Programmed by Nene Camara:
"It feels ever important to support artists who are often mid-process and to show a commitment to platform their practice as they continue the very tender process of building and making the work. This piece strives to actively hold space and dialogue for communities as an act of care and resistance."
Tobi King Bakare and this theatre deserve a shout-out for such a young, diverse audience. There is so much talk about audiences being full of over 60s and why, why can’t theatres get the crowds in to reflect society in general? Well, I’m happy to say that on a rainy Thursday evening, the theatre was completely full.
Caiti Grove on Before I Go in CPT's Spring 2023 season London Theatre Reviews
