The ★★★★★, sell-out, “compassionate and forceful” (WhatsonStage) For A Palestinian, returns for a one-off online stream.
Bilal has always been obsessed with love stories. Here he tells you his favourite: the true story of Palestinian translator Wa’el Zuaiter. Join Bilal as he ventures through the orange groves of Jaffa, Rome's piazzas, and the Duty-Free aisles of Luton Airport, piecing together this untold story, and asking what it means to be a Palestinian in the West.
After dazzling audiences and selling out the Bristol Old Vic and Camden People’s Theatre, For a Palestinian returns, presented by WoLab. Performed by Bilal Hasna, star of Disney+ series Extraordinary, and directed by Aaron Kilercioglu.
Booking information
When booking please disregard the date/time - the show is available on demand and can be experienced at any point between 29th March - 2nd April. Please select the Print at Home ticket option when booking. Your ticket containing the link will be emailed to you a few minutes after your confirmation email arrives.
This is a pay what you can event. The company's suggestion is to pay £5 per person watching. I.e. If you are watching as a household of 2, we suggest paying £10 for the tickets.
If you pay more than £8 for your ticket, the company will donate their share of the additional funds to the Kahramanmaras Earthquake Emergency Relief Fund.
Credits
Written by: Bilal Hasna & Aaron Kilercioglu
Directed by: Aaron Kilercioglu
Performed by: Bilal Hasna
Produced by: Alistair Wilkinson
Lighting Design: Ros Chase
Publicity Design: Ciaran Walsh
Set Designer: Jida Akil
Sound Designer: Holly Khan
Videographer: Adrianne McKenzie
Published by: Methuen Drama
PR for original Autumn 2022 run by: Chloé Nelkin Consulting
Supported by P21 Gallery, Palestine Solidarity Campaign, Na'amod, Bristol Palestine Museum and Cultural Centre and New Diorama Theatre. Supported by Camden People's Theatre and Bristol Old Vic Theatre. Funded by Arts Council England
“Such a crucial part of the UK theatre ecology… Developing artists and audiences”
The Guardian
